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Carrie Rodriguez and Luke Jacobs

WEDNESDAY 29TH OCTOBER 2014

Doors 8.00pm

http://www.youtube.com/watch?v=XMwyZS5B7w8

Love and family have always been sources of inspiration for critically acclaimed singer/songwriter/musician Carrie Rodriguez, but never have they featured so prominently than on her brand new release Love & Circumstance, a covers album that includes songs written by her father, and once performed by her great aunt.

Rodriguez' journey from teenage violin student to touring the world with the likes of Chip Taylor (famed songwriter of "Wild Thing), Lucinda Williams and Alejandro Escovedo, has resulted in a prodigious output of recordings - eight albums in as many years - for the young musician; with the new album, Carrie relies on others to handle the songwriting duties, she provides the interpretations.

"In 2009, after a very busy few years, I felt like I should take a step back and assess the situation," she says, during a quick stop between tours. "The idea of doing a covers record had been developing for a while, and had been prompted by requests I get at every show for a recording of some of the covers I play live, especially 'La Punalada Trapera.' I stated to wonder what kind of album I could make that would be a fit for that song."

Besides the contributions from her immediate family, Love & Circumstance, includes compositions from her extended musical family and friends, including John Hiatt/Nick Lowe/Ry Cooder/Jim Keltner (aka Little Village), Buddy Miller & Julie Miller, Gillian Welch & David Rawlings, Richard Thompson, Townes Van Zandt, M. Ward, Merle Haggard & Bonnie Owens, Hank Williams, and Lucinda Williams.

"It was very important for me to go back to my roots with this record and concentrate on what was important to me," Rodriguez explains, "songwriters like Richard Thompson, Townes, Hank, they're the ones who initially inspired me." And Rodriguez' inspirations are being admired, with Thompson exclaiming "It is always a thrill to write a song and have someone else take it to unexpected places. Thank you (Carrie) for the heartfelt and impassioned performance."

Rodriguez' professional career was launched in 2001 after a show at South By Southwest introduced her to Taylor, with whom she has recorded four full albums and an EP. Her musical development started much earlier, however, and at the hands of an equally seasoned songwriting veteran, her father David Rodriquez. "My dad gave me a Leonard Cohen record for my ninth birthday! I hated it. But of course I rediscovered it at thirteen and loved it." By fifteen Rodriguez and her dad were touring the Netherlands together; chops were being honed.

Rodriguez' maternal side of the family also influenced her musical upbringing. Not only was her mother a fanatical opera enthusiast, her great-aunt, Eva Garza, was a popular Latin recording artist in the 50's, and it was from Garza that Rodriguez first heard 'La Punalada Trapera,' which soon became a mainstay in her live set. Having family friends include Lyle Lovett, who invited Rodriguez to sit in with his band when she was at college, also helped her develop as a performer.

“Carrie Rodriguez is a singer-songwriter and fiddle player of great accomplishment and tastefulness. Good songs, lovely arrangements”. The Independent 2013

“A well-rounded triumph” Uncut 2013

“Sad, happy, tragic & triumphant, just like country music should be.” Q Magazine 2013

“She successfully turns into a highly accomplished writer & singer. Classy Recording.” Froots 2013

"An unclassifiable musician who, in less than 10 years, has packed more change into her career than someone twice her age - and there's only one appropriate response: It ain't over." The Washington Times

"She's a wonderful artist, very creative. She plays beautifully, she sings beautifully, and she's a real nice person." Alejandro Escovedo

"I have to say I am very impressed. She's got something unique in her voice that's very subtle and a little smoky and sweet. She's got a refreshingly spunky attitude to go along with it. I detect a certain wisdom in her, and yet a sense of wonder as well." Lucinda Williams / New York Times




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